lb:cod:daeva.clanbook
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| lb:cod:daeva.clanbook [2025-10-20 06:51:28] – [Kevin] Minor Corrections. ninjasr | lb:cod:daeva.clanbook [2025-10-20 14:42:29] (current) – [Trivilinks] ninjasr | ||
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| Next is the next major part of the book: Ayesha' | Next is the next major part of the book: Ayesha' | ||
| - | Ayesha is a punk journalist and probably one of the bigger asshole characters in the book. I say this unironically after seeing Kevin. And I'm not just saying that because it's strongly implied she's a lesbian. All you really need to know is that she acts as a [[lb: | + | Ayesha is a punk journalist and probably one of the bigger asshole characters in the book. I say this unironically after seeing Kevin. And I'm not just saying that because it's strongly implied she's a lesbian. All you really need to know is that she acts like a [[lb: |
| Ayesha is a journalist (the real reason I'm saying she's a bitch) who was tasked by her ‘father’ – the Collector – to perform a job.\\ | Ayesha is a journalist (the real reason I'm saying she's a bitch) who was tasked by her ‘father’ – the Collector – to perform a job.\\ | ||
| The details of the job aren't that important, but what is important to note is that she kills a lot of people. We never see her killing directly (she never describes it directly in her diary) but during the course of the story she kills at least three and implies she killed several others in the past. This is her playing with her Humanity, meaning she probably goes into torpor for a while.\\ | The details of the job aren't that important, but what is important to note is that she kills a lot of people. We never see her killing directly (she never describes it directly in her diary) but during the course of the story she kills at least three and implies she killed several others in the past. This is her playing with her Humanity, meaning she probably goes into torpor for a while.\\ | ||
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| Now, her killing people isn't much of an issue (putting aside //why// she does it) and the bigger issue is that she seems uninterested in the Masquerade, which raises questions about how she's even still alive. | Now, her killing people isn't much of an issue (putting aside //why// she does it) and the bigger issue is that she seems uninterested in the Masquerade, which raises questions about how she's even still alive. | ||
| - | Ayesha is a member of the Cacophany – which I already talked about briefly – which is why she's a journalist roaming around the place. She's been writing for them since the 70s at least, which is probably around the time she got Embraced. And it's also pretty clear that more conservative vampires have been aware of her and disapproved for a while. | + | Ayesha is a member of the Cacophany – which I already talked about briefly – which is why she's a journalist roaming around the place. She's been writing for them since the 70s at least, which is probably around the time she got Embraced. And it's also pretty clear that more conservative vampires have been aware of her and disapproved |
| How is she still alive? | How is she still alive? | ||
| Line 198: | Line 198: | ||
| It's unusual that, in all that time, she's apparently still mostly the same. And we know she's been mostly the same because we get an example of one of her articles from the 70s, which is written in essentially the same style as her modern articles (which we //also// see).\\ | It's unusual that, in all that time, she's apparently still mostly the same. And we know she's been mostly the same because we get an example of one of her articles from the 70s, which is written in essentially the same style as her modern articles (which we //also// see).\\ | ||
| She's remained a punk for her entire life. Actually, she probably adopted the punk aesthetic in the 80s.\\ | She's remained a punk for her entire life. Actually, she probably adopted the punk aesthetic in the 80s.\\ | ||
| - | I'm not saying she'd become a straight conservative good girl in all that time, just that it's incredibly unlikely that she's maintain her < | + | I'm not saying she'd become a straight conservative good girl in all that time, just that it's incredibly unlikely that she'd maintain her < |
| Even putting aside natural tendencies to mellow out over time, the rest of vampire society would actively suppress her. If you're interested, read my [[lb: | Even putting aside natural tendencies to mellow out over time, the rest of vampire society would actively suppress her. If you're interested, read my [[lb: | ||
| - | That's a nice natural pivot over to Colonel Alvarez. Alvarez is presumably a Daeva who is a major force in the Invictus. I say ‘presumably’ because it's never explicitly stated. Alvarez is responsible for establishing a system wherein Daeva can enter nightclubs freely (that Alvarez operates) to feed off of the mortals who have to pay to enter. It's nice and safe and works out for everybody. Alvarez’s appearance is kind stupid and clashes completely with how conservative and authoritarian her personality is, but that's a side-note.\\ | + | That's a nice natural pivot over to Colonel Alvarez. Alvarez is presumably a Daeva who is a major force in the Invictus. I say ‘presumably’ because it's never explicitly stated. Alvarez is responsible for establishing a system wherein Daeva can enter nightclubs freely (that Alvarez operates) to feed off of the mortals who have to pay to enter. It's nice and safe and works out for everybody. Alvarez’s appearance is kinda stupid and clashes completely with how conservative and authoritarian her personality is, but that's a side-note.\\ |
| Ayesha and Alvarez meet because Ayesha wants to interview/ | Ayesha and Alvarez meet because Ayesha wants to interview/ | ||
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| After that, Ayesha gets annoyed at being called a hooker (if that's the problem, then don't dress or act or fuck like one).\\ | After that, Ayesha gets annoyed at being called a hooker (if that's the problem, then don't dress or act or fuck like one).\\ | ||
| Then Ayesha tries seduction and fails, so she kills a vampire. Then she bribes a ghoul with her own blood.\\ | Then Ayesha tries seduction and fails, so she kills a vampire. Then she bribes a ghoul with her own blood.\\ | ||
| - | It's sometime during this that, for some godsforsaken reason, Ayesha writes some of her previous | + | It's sometime during this that, for some godsforsaken reason, Ayesha writes some of her previous |
| < | < | ||
| I’m good with people, really I am. Wouldn’t be the first time I’ve flirted my way through a door, either. But eight years back the boys and I packed Vault, and I personally rocked it. Five years before that it was Elektrik. And when I was a very little girl who still happened to breathe, I got somebody’s head between my thighs for the first time ever at The Station. | I’m good with people, really I am. Wouldn’t be the first time I’ve flirted my way through a door, either. But eight years back the boys and I packed Vault, and I personally rocked it. Five years before that it was Elektrik. And when I was a very little girl who still happened to breathe, I got somebody’s head between my thighs for the first time ever at The Station. | ||
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| A hint for future writers: women typically don't write stuff like this into their diaries. Even if they' | A hint for future writers: women typically don't write stuff like this into their diaries. Even if they' | ||
| - | The other thing I noticed after re-reading that bit is that...well, | + | The other thing I noticed after re-reading that bit is that...well, |
| Again, very Brujah, but not very Daeva. And I think this is 100% unintentional on the part of the writers. | Again, very Brujah, but not very Daeva. And I think this is 100% unintentional on the part of the writers. | ||
| Actually, another sudden realization. This might actually undermine my greater point, but I guess I should explain it. Ayesha //could// be a non-sex example of the Daeva theme of ‘passion’ manifesting, | Actually, another sudden realization. This might actually undermine my greater point, but I guess I should explain it. Ayesha //could// be a non-sex example of the Daeva theme of ‘passion’ manifesting, | ||
| Ayesha is potentially passionate about being rebellious and a punk journalist. That could be the passion that she embodies.\\ | Ayesha is potentially passionate about being rebellious and a punk journalist. That could be the passion that she embodies.\\ | ||
| - | What undermines that is the fact she is still stricken with the weird sex stuff and, again, it's not really focused on that much outside of her Brujah-like personality. | + | What undermines that is the fact she is still stricken with the weird sex stuff and, again, it's not really focused on //that// much outside of her Brujah-like personality. |
| ==== Letter ==== | ==== Letter ==== | ||
| There' | There' | ||
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| The Collector is called racist by a green sticky note (in a seemingly endearing tone). This is because the Collector suggests that the earliest human bodies that we found in Africa and China couldn' | The Collector is called racist by a green sticky note (in a seemingly endearing tone). This is because the Collector suggests that the earliest human bodies that we found in Africa and China couldn' | ||
| - | I initially agreed that this is a clear-cut sign of racism, but I'm not so sure anymore. Mainly because this implies it refers to //Homo Erectus// and not //Homo Sapiens//. The key fact is ‘China’, | + | I initially agreed that this is a clear-cut sign of racism, but I'm not so sure anymore. Mainly because this implies it refers to //Homo Erectus// and not //Homo Sapiens//. The key mention |
| The Collector makes the claim that Kindred started in the City of Ur and the sticky notes disagree with him, which is kinda amusing. | The Collector makes the claim that Kindred started in the City of Ur and the sticky notes disagree with him, which is kinda amusing. | ||
| Line 377: | Line 377: | ||
| This conclusion section is, so far, mostly focused on the hedonism present in the book. Specifically to address a possible counter-argument that will be leveled towards me: that the large focus on sex is fine because the Daeva are hedonists and, thus, it's only natural that sex will appear so often. This is also definitely what the authors think (because they even say that Daeva and sex kinda go hand-in-hand in the appendix). But I wouldn' | This conclusion section is, so far, mostly focused on the hedonism present in the book. Specifically to address a possible counter-argument that will be leveled towards me: that the large focus on sex is fine because the Daeva are hedonists and, thus, it's only natural that sex will appear so often. This is also definitely what the authors think (because they even say that Daeva and sex kinda go hand-in-hand in the appendix). But I wouldn' | ||
| - | Vampires in //Requiem// are walking corpses. As walking corpses...they are cold to the touch and their feelings are numbed. In order to warm up, they have to use the Blush of Life – spend some blood to feel alive again for a brief moment. Further, because they' | + | Vampires in //Requiem// are walking corpses. As walking corpses...they are cold to the touch and their feelings are numbed. In order to warm up, they have to use the Blush of Life – spend some blood to feel alive again for a brief moment. Further, because they' |
| These two key facts are the main issue with “sex and Daeva”.\\ | These two key facts are the main issue with “sex and Daeva”.\\ | ||
| Because there is an assumption that Daeva would go all-in on sex, but the consequences are not thought out. I go over a few above, but I'll summarize them here. Because it costs blood to even have sex, the process isn't exactly trivial. It isn't like a human, who can go at it essentially whenever and wherever: there is an explicit cost attached to it which additionally has some risks. Spending blood means you have to regain it later. So having sex for the purpose of getting that blood is counter-intuitive and entirely unnecessary when orgasm can be achieved by the human //and// vampire by drinking //without sex//. All the sex means is that the vampire has to drink //more// to make up for the loss, which comes with the risk of harming (or killing) the human they' | Because there is an assumption that Daeva would go all-in on sex, but the consequences are not thought out. I go over a few above, but I'll summarize them here. Because it costs blood to even have sex, the process isn't exactly trivial. It isn't like a human, who can go at it essentially whenever and wherever: there is an explicit cost attached to it which additionally has some risks. Spending blood means you have to regain it later. So having sex for the purpose of getting that blood is counter-intuitive and entirely unnecessary when orgasm can be achieved by the human //and// vampire by drinking //without sex//. All the sex means is that the vampire has to drink //more// to make up for the loss, which comes with the risk of harming (or killing) the human they' | ||
| This is especially bad in the case of Mad and Kevin, where Kevin will have died within a week of meeting her based on how often they have sex. That would immediately bring attention towards Mad and result in her exposure or death.\\ | This is especially bad in the case of Mad and Kevin, where Kevin will have died within a week of meeting her based on how often they have sex. That would immediately bring attention towards Mad and result in her exposure or death.\\ | ||
| - | So some reason has to be given for //why// they keep having sex and the book makes no attempt at doing just that. So there' | + | So some reason has to be given for //why// they keep having sex. But the book makes no attempt at doing that. So there' |
| - | The other major issue is on a more thematic meta-sense | + | The other major issue is more thematic |
| The five clans of vampires in Requiem each represent a broad archetype of the vampire from fiction. And each of those also has a major theme attached. For the Daeva, the archetype is the ‘seducer’ and their theme is ‘passion’. For the Nosferatu, the archetype is the ‘inhuman monster’ and their theme ‘inhumanity’.((: | The five clans of vampires in Requiem each represent a broad archetype of the vampire from fiction. And each of those also has a major theme attached. For the Daeva, the archetype is the ‘seducer’ and their theme is ‘passion’. For the Nosferatu, the archetype is the ‘inhuman monster’ and their theme ‘inhumanity’.((: | ||
| - | The Nosferatu, despite having that archetype, don't all just appear like ugly diseased monstrosities. Some of them actually appear fairly normal and only act monstrous. Some, in fact, appear so beautiful that it enters the Uncanny Valley and freaks others out in that way. Here you can clearly see that their theme was explored to the fullest. And I'm just mentioning a few examples.\\ | + | The Nosferatu, despite having that archetype, don't all just appear like ugly diseased monstrosities. Some of them actually appear fairly normal and only act monstrous. Some, in fact, appear so beautiful that it enters the Uncanny Valley and freaks others out. Here you can clearly see that their theme was explored to the fullest. And I'm just mentioning a few examples.\\ |
| This book, meanwhile, assumes that //all Daeva are in some way sex-obsessed// | This book, meanwhile, assumes that //all Daeva are in some way sex-obsessed// | ||
| Wouldn' | Wouldn' | ||
| - | Or, alternatively, | + | Or, alternatively, |
| - | Even putting aside the them of passion, the Daeva are the vampire clan closest to humanity. This is inherited from the [[lb: | + | Even putting aside the theme of passion, the Daeva are the vampire clan closest to humanity. This is inherited from the [[lb: |
| - | Wouldn' | + | Wouldn' |
| Instead of constantly reading uncomfortable sex prose, we could have been reading about how the Daeva reconcile their existence as they predate on those they love. | Instead of constantly reading uncomfortable sex prose, we could have been reading about how the Daeva reconcile their existence as they predate on those they love. | ||
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| * I know there are a few problems in the writing on this article, which I'll fix later. | * I know there are a few problems in the writing on this article, which I'll fix later. | ||
| * When I say that the cover is great, I do mean it: I really like the cover art, even if everything else is kinda meh. That alone I would like to own. | * When I say that the cover is great, I do mean it: I really like the cover art, even if everything else is kinda meh. That alone I would like to own. | ||
| - | * There was something else I wanted to write here, but I don't remember what it is. | + | * <del>There was something else I wanted to write here, but I don't remember what it is.</ |
| + | * I actually went out of my way to count the number of artworks in the book and you'll find out why soon enough. | ||
| + | * There are **34** pieces of artwork depicting people. | ||
| + | * **27** of those depict women. | ||
| + | * Of those...**9** of them depict a woman wearing a skirt or dress and, of those, **3** are **borderline**. One of them is in the background, one is out-of-frame and one is from a children' | ||
| + | * There are **5** pictures depicting nudity, though technically **6** or **8** if you count the one naked guy (top-half only) and pictures where the nudity is off-screen but it's obvious they' | ||
| + | * Only **2** depict women wearing underwear. | ||
| + | * The skirt counting was me checking whether the book exemplifies the [[lb:Alyx effect]]. | ||
lb/cod/daeva.clanbook.1760943088.txt.gz · Last modified: 2025-10-20 06:51:28 by ninjasr