lb:theme
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| + | ====== Theme ====== | ||
| + | {{template> | ||
| + | Not to be confused for a [[lb: | ||
| + | {{tag> | ||
| + | ===== Elaboration ===== | ||
| + | This is the broadest yet most specific definition of a theme. And yes, ‘any’ means ‘any’. | ||
| + | Themes don't necessarily have to be intentional, | ||
| + | Though when people (amateur YouTube critics) talk about themes, they tend to not talk about the emergent ones but the ones that //are// intentionally placed in a film. | ||
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| + | Examples of the type that are intentional would be // | ||
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| + | [[lb:dn]] is probably the pre-eminent example of a work that has an emergent theme: as it //sorta//, //kinda//, //not really// explores the question of what justice is, embodied by Kira or L.\\ | ||
| + | Emergent themes are usually a side-effect of good storytelling – though this is not something that should be relied upon as a guarantee and, further, the presence of an emergent theme isn't necessarily an indicator of good storytelling.\\ | ||
| + | An emergent theme is also a side-effect of //bad// storytelling, | ||
| + | ===== Analysis ===== | ||
| + | ==== Exploration Versus Mentioning ==== | ||
| + | Exploring the theme is not the same as mentioning it. Exploring involves raising the idea/ | ||
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| + | Using the example above of Jurassic Park's //Zoo Mismanagement// | ||
| + | To give specifics (though not too many!) on those contributing factors: the entire computer system is managed by one guy, who isn't paid enough; park employees don't know enough about the animals they' | ||
| + | Now for consequences: | ||
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| + | In contrast, mentioning a theme generally means that you point at it and go “[[lb: | ||
| + | Viewers can also mis-identify themes just by assuming that exploring is the same thing as mentioning. | ||
| + | ==== Weight ==== | ||
| + | This is focused around something very specific. Themes can often be screwed up by the original creators -- as in the example of my apparent favorite punching bag: Jurassic Park. Themes can also be mis-identified by the audience (or critic), who sees something that was never intended. | ||
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| + | A question that can be asked is...how do you determine the difference between these? And how can you tell if you're just seeing things that aren't there versus seeing something that //is// there that wasn't intentional? | ||
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| + | After thinking about this, I think I've come to a conclusion: it has to do with the [[lb: | ||
| + | The themes of a story generally have to be connected to the subject of a story -- to put this bluntly: what it is about in an abstract sense has to be related to what it is about literally.\\ | ||
| + | If the theme isn't directly connect-able to the subject...then there' | ||
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| + | This is also why, generally, stories can't really explore complex specific modern themes (like, I dunno, the ills of cryptocurrency) in a Fantasy setting. It just doesn' | ||
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| + | I almost forgot what I actually called this section. The other major aspect of determining whether a theme is in your head or not has to do with the context of the story.\\ | ||
| + | Basically, some things in the story will either //support// or // | ||
| + | A different example is the film //The Platform//, which I haven' | ||
| + | - The fact that you cannot meaningfully connect the theme to the subject. | ||
| + | - The fact that the food is being granted to everyone through a centralized conveyor which literally goes top-down, which is not capitalist. Capitalism is explicitly decentralized. | ||
| + | The film actually is a better " | ||
| + | ===== Themes ===== | ||
| + | <div center-text> | ||
| + | [[lb: | ||
| + | </ | ||