Table of Contents

Gyaru

🌺 Gyaru

ć‚®ćƒ£ćƒ«(Gal) are a Japanese subculture that I have taken an unusual interest in. It all started with one thing, then another and the next thing I know, I’m looking at makeup tutorials.

Personal Discovery

My first experience with gyaru was through animeA) and…the other one – how most Westerners encounter them. My reaction to them was mostly neutral though…as in, it didn’t really lead anywhere.

I thought it was weird, but kinda interesting. But I’d gradually learn more…not through anime, but through Wikipedia of all things.

Since I didn’t know what gyaru were, I looked it up. From there, I found out wow, there’s more to this than expected…but then I found Gyaru-Moji, and that’s where my brain went wait, what.

But then I got into ParaPara. I think it started through Eurobeat. I kept looking for more and then started hearing weird references. Then I got recommended ParaPara…and that’s where it all went downhill.

From ParaPara, I started looking into the rest of the subculture and, well, here we are today. Actually, ParaPara might be the reason I’m interested in gyaru. Gyaru went from just some fiction trope and museum artifact, to being something more concrete.

Gyaru Types & Subtypes

This section is not yet complete.

In this section I’ll list the different kinds of gyaru to the best of my ability. My information will mostly be derived from Galture and my own observations.

Those with a skull icon (šŸ•±) are those which are extinct, as far as I can tell.

I’m going to try to organize it according to lineage, so you can roughly see how stuff evolved from one to the other. I’ll also be adding references a little later.

Societal Observations

In this (work-in-progress) section, I’ll note a few of my observations about gyaru culture and the way it interacts with greater Japanese society. For now just a few small notes.

Mainstream Assimilation

I believe the general perception among Westerners (who are aware of gyaru and aware that it isn’t just an anime trope) is that gyaru have gone extinct. This is a perspective shared by some Japanese people as well.

This perception likely stems from the fact the mainstream image of a gyaru (a kogal; tan skin, blond hair, loose socks, long nails, etc.) is not how gyaru tend to look nowadays, resulting in the belief that there are less of them. Now, to be clear, there are fewer gyaru now than there were before, but the numbers are much higher than most people expect.

The main gyaru types nowadays are:F)

  • Modern Kuro-Gyaru1;2)G;H)

    The modern incarnation of the Kuro-Gyaru. Tan skin yes, slightly bolder style than Shiro-Gyaru, but more reserved than the original Kuro-Gyaru. Women in their twenties. Primarily represented by the magazine Egg.

  • Modern Shiro-Gyaru3)

    The modern Shiro-Gyaru. The dominant type. Onee-Gyaru and ā€˜Reiwa’ Gyaru are both different flavors of Shiro-Gyaru. They tend to have a more ā€˜reserved’ and ā€˜cleaner’ look, meaning white skin, more reserved makeup and fashion and so on.

  • ā€˜Reiwa’ Gyaru1)

    Galture identified this. They are the most modern of the Gyaru and don’t have any particular unifying trait. There’s a greater emphasis on individuality and a lower emphasis on belonging to particular cliques. We can consider these the ā€˜chameleon’ Gyaru, because they’re the hardest to explicitly identify as such.

    The term (as used by Galture) basically refers to all the modern gyaru collectively, though I’m using it in a slightly more narrow sense. It’s possible that I’ll later change this classification.

  • Onee-Gyaru4)

    More ā€˜grown-up’ gyaru. Primarily women in the workforce, in their mid-late twenties or early thirties.

I’m getting these from the Galture website (linked below), which is a website run by a gyaru or former gyaru.I) The above are simplifications which I may have to edit later.

Though the main point I’d like to get across is that gyaru have mostly been assimilated into the mainstream.J) This requires a bit of elaboration though.

Many things that used to be associated exclusively with gyaru are now just things that young women and girls…do.

  • Gyaru makeup? The cleaner varieties are basically how most girls apply makeup now.
  • Decorating phones? Yup.
  • Fashion? A lot of gyaru and gyaru-adjacent fashion is basically mainstream now.K;L)
  • Language? I’m pretty sure a lot of mainstream youth slang originated with gyaru.M)
  • Piercings? Multiple earrings and piercings are not uncommon.N)

I could go on (and probably will in the future, when I decide to refine this section), but I think I’ve made the point.

I could also bring up things like general social warmth and friendliness. With Japanese girls nowadays come across as much friendlier than Japanese girls from a few decades ago. At least says me, someone with no experience talking to Japanese girls from a few decades ago. This could also be gyaru influence on the mainstream, since they could be considered the first to really push in this direction.

Gyaru kinda appear invisible because many girls in Japan nowadays are already gyaru-adjacent, making it hard to differentiate them from those who are full-on gyaru. What makes this harder is that all the current subcultures are more reserved in appearance than their forebears.

Longevity + Gyaru-Mama

One of the reasons I find gyaru so interesting is that they lasted for a long time. They started in the 80s (or maybe the 70s, I’ll have to check) and they’re still going. Sure, the subculture has evolved, but there’s still a continuous thread there.

That’s pretty much odd. Think to the early 2000s emo/punk girl archetype, which basically only existed during the 2000s and never any other time. That’s only like 10 years, if even that.

Then let’s consider the gyaru. If we put their start in the 80s and their ā€˜end’ the 2010s, then gyaru lasted 30 years. And they didn’t even end in the 2010s, since they’re still around…meaning that gyaru have been around continuously in some form for 40 years.

This is already quite unusual from a sociological perspective…but then…

Gyaru-Mama.

Gyaru-Mama are a distinct subculture of gyaru that started in the 2000s and which may also continue to today. Gyaru-Mama are Gyaru who became moms while remaining gyaru. Yes, it’s really that simple.

These are also incredibly unusual for a subculture to have. Think about the implications here. Most subcultures tend to die out because its members abandon it. But with gyaru, not only do you see the subculture lasting for longer than a single generation, but those older generations remain inside of it. And they then pass it on to their children.

Evidence that the ā€˜passing on’ happens can be seen in Japanese pop culture. It’s not uncommon for contemporary gyaru/fashionable girls to have mothers who were themselves fashionable/gyaru. Even if they’re not explicitly stated to be such, it’s often heavily implied. The key part here is that it isn’t really explained or focused on. The casualness with which this trope is often presented implies that it’s not considered abnormal in society, meaning it’s a common-enough occurrence that most people in Japan can recognize it and accept it without question.

This may also explain how gyaru can find itself accepted into the mainstream so absolutely. It’s already been around for 4-5 generations of gyaru to have been hopping around society.

But I think there’s a bit more to this too.

When you compare gyaru to other ā€œrebellious feminine subculturesā€ something stands out immediately: gyaru don’t discourage long-term heterosexual relationships with one person. In fact, they seem to actively encourage such relationships.

Many feminist subcultural movements typically encourage remaining single, childless and/or to avoid having a single partner. Gyaru culture places heavy emphasis on loyalty and social warmth. The former approach guarantees your subculture dies with your generation, because you don’t have any children to pass it onto; the latter approach guarantees your subculture survives into the future, with the children you brought into this world.

I think this is why Gyaru-Mama can exist in the first place, plus how gyaru have survived for so long.O)


A) Specifically, I think that the first anime where I encountered a ā€˜gal’ was Hajimete no Gal, which also introduced me to the term. Though prior to that I encountered other gyaru-adjacent characters (like misaka). I don’t think any specific anime pushed me to learn more about them though.
B) It’s here that I’m starting to wonder if it really is fair to say that gyaru started in ā€˜the late 80s’. Ah well, I’ll deal with that later.
C) Though I’d personally still put the origin of Gyaru in the 80s, even if it only crystallized in 1995. Maybe. I’ll have to rethink some of the conclusions I came to.
D) The original Kogals are extinct, probably.
E) Leopard patterns are still heavily associated with gyaru today.
F) These are mostly based on the makeup descriptions from Galture.
G) Listed first for no particular reason.
H) Galture also briefly mentions a third category of gyaru between Kuro and Shiro called ćƒ©ćƒ†ć‚®ćƒ£ćƒ«(Latte Gal). These are described as girls with Gals with a healthy skin tone.
I) I never asked if she still considers herself a gyaru or not.
J) Alternatively that the mainstream was assimilated into gyaru culture. That idea might sound ridiculous, but I think there’s more evidence to suggest that than might be expected. A lot of other subcultures (like Lolita fashion, for example) ended up getting assimilated into Gyaru culture as well. One of the big gyaru subcultures for a time was ā€˜Ama-Gyaru’, which was basically gyaru makeup + lolita fashion.
That specific subculture is also, to my knowledge, the reason gyaru almost went extinct.
Basically, we shouldn’t put aside the idea that gyaru culture ended up taking control of greater Japanese society just because it’s a small subculture. It’s not impossible or unheard of for a tiny minority culture to dominate a larger majority culture.
K) From experience, I’ve seen more girls wearing camo patterned clothing than expected. While I can’t be sure this is a sign of gyaru, I think it’s notable that Ayu-Style Gyaru (first/major mainstream Shiro-Gyaru) liked to wear cropped camo t-shirts.
L) Also, the fashion is a little bolder than it was previously. Wearing tops that expose a sliver of midrif isn’t uncommon.
M) I’m pretty sure 悄恰恄(yabai) originated with gyaru, though I’m not 100% sure.
N) I state this based on what I’ve seen with my own eyes. Even girls who appear ā€˜clean’ outwardly tend to have earrings in more places than normal.
O) If I really wanted to push this to its logical conclusion, I feel that gyaru might spell the end of the ā€œYamato Nadeshikoā€ archetype, plus that gyaru might…be where Japan’s future lies…? Yes! By not discouraging having children, gyaru will be responsible for saving the nation of Japan! ę—„ęœ¬äø‡ę­³ļ¼ļ¼ļ¼
P) I know how that sounds, but my reasoning is that if it’s in English it probably isn’t written by people who have personal experience with Gyaru. Unlike Galture, which is written by a Japanese person.