Gyaruć®ć£ć«(Gal) are a Japanese subculture that I have taken an unusual interest in. It all started with one thing, then another and the next thing I know, Iām looking at makeup tutorials.
My first experience with gyaru was through animeA) andā¦the other one ā how most Westerners encounter them. My reaction to them was mostly neutral thoughā¦as in, it didnāt really lead anywhere.
I thought it was weird, but kinda interesting. But Iād gradually learn moreā¦not through anime, but through Wikipedia of all things.
Since I didnāt know what gyaru were, I looked it up. From there, I found out wow, thereās more to this than expected
ā¦but then I found Gyaru-Moji, and thatās where my brain went wait, what
.
But then I got into ParaPara. I think it started through Eurobeat. I kept looking for more and then started hearing weird references. Then I got recommended ParaParaā¦and thatās where it all went downhill.
From ParaPara, I started looking into the rest of the subculture and, well, here we are today. Actually, ParaPara might be the reason Iām interested in gyaru. Gyaru went from just some fiction trope and museum artifact, to being something more concrete.
This section is not yet complete.
In this section Iāll list the different kinds of gyaru to the best of my ability. My information will mostly be derived from Galture and my own observations.
Those with a skull icon (š±) are those which are extinct, as far as I can tell.
Iām going to try to organize it according to lineage, so you can roughly see how stuff evolved from one to the other. Iāll also be adding references a little later.
Proto-Gyaru š±
According to Galture, the earliest the term ćć®ć£ć«ć had been used in Japan to refer to vibrant and lively young women
was the 1970s.B)
Amlers š±
Amlers are girls who wanted to copy Namie Amuro. For those not in the know, sheās one of the biggest Japanese idolsā¦ever. Namie Amuro is considered the å代ć®ć£ć«ć®ć«ćŖć¹ć(Original Charisma Gal) and is probably responsible for starting the subculture.
This had apparently started around 1995.C)
Amuro-san is from Okinawa, so she had tan skin and, as an idol, wore bold makeup and interesting fashion. So girls across Japan had started copying those aspects.
Amlers are either proto-gyaru or they were the first gyaru. Assuming there werenāt some earlier types of gyaru that Iām just not aware of.
Kogal š±D)
ć³ć®ć£ć«(Kogals/Kogyaru) are where almost all modern gyaru types ultimately descend from.
Kogals were highschool girls who (probably) took their Amler fashion instincts with them to school. They were the rebellious ones, tanning their skin (!), shortening their skirts (scandalous!), wearing heavy makeup (shocking!), loose socks (how is this even allowed??). Though itās apparently not known exactly where the term āKogalā comes from. Galture mentions that it was probably used by club staff to refer to the girls who werenāt allowed to come into the clubs. Meaning that the āKoā means something like ākidā or āchildā.
These types were so influential that the modern pop-culture image of gyaru appears to be frozen here. Well, thereās just the one issue: from what I can tell, they didnāt seem to dye their hair. So that came from later gyaru.
These types also probably invented Gyaru-Moji.
Whether theyāre extinct or not is probably something that could be debated. Iād argue that outside of anime, the original Kogals are probably just extinct. Modern Kogals exist of course.
Galture also mentions (as a fun-fact) that there were ććć“ć®ć£ć«ć(Magogals). The term referred to gals who were younger than the Kogals (highschoolers)ā¦so middle-school girls who were gyaru. The term āmagogalā probably literally means āgrandchild galā.
Ganguro š±?
Kogals who grew up grew up to become ć¬ć³ć°ć. They lasted from 1998 to around 2000.
The term āganguroā originates from the shortening of the Japanese āto darken ones face by tanningā.
These gyaru are the ones who started dyeing their hair blond, silver. They wore clothing with a lot of bright colors and hibiscus patterns. They also attached rhinestones and tear stickers under their eyes. Hawaiian patterns and neon colors were mainstream.
This may also be when purikura started becoming a thing?
Basically all kurogyaru that follow descend in some form from the Ganguro.
Gonguro š±
Ganguro who tanned their skin even darker.
Bachiguro š±
Those who tanned their skin even darker.
Yamanba š±
Yamanba are described by Galture as the more extreme version of the Ganguro. They had Gonguro skin, explosive
hairstyles and painted the upper areas around their eyes white.
Manba š±
According to Galture, the main difference between them and Yamanba was that they painted the entire area around their eyes white, rather than just the upper parts.
Serenba š±
Part of the Manba counter-attack in 2004. Serenba were āCelebrityā inspired, meaning they wore more high-class items, had a slightly calmer appearance and more āadultā fashion.
Coconba š±
Part of the Manba counter-attack in 2004. Coconba were manba who favored fashion from the brand COCOLULU.
Romanba š±
Part of the Manba counter-attack in 2004. These were ālolitaā/āgyaruā hybrids, possibly being the first gyaru to wear lolita fashion.
Banba š±
Part of the Manba counter-attack in 2004. āBarbieā manba liked to imitate barbie-esque aesthetics. Thatās all that Galture says about them, not just me being lazy for the time-being.
Retro Gals š±
From what I can gather, these were ganguro who wore more 60s-inspired fashion and were possibly more influenced by shop clerks than magazines.
Galture notes that these were the forerunners of the later onee-style gals.
Ayu-Style Shiro-Gyaru š±
Gyaru who were greatly influenced by the Second Charisma Gal: Ayumi Hamasaki, after the year 2000.
This is where something of a tectonic shift occurred among gyaru, as the split between Kuro and Shiro was cemented. Not only did this produce two distinct categories of gyaru, but it also allowed girls whoā¦yāknow, didnāt want to tan their skin, to join in the subculture.
Ayu-Style Shiro-Gyaru wore clothing with leopard or camouflage patterns.E) They also liked cropped tops, jeans and other things Iām too lazy to name right now. Decorating nails and their belongings (like phones) also started here.
Galture also implies that revealing the belly button (so crop tops; midrif-baring) started with the Ayu-Style gyaru.
Apparently the Ganguro were almost wiped out by the wave of shirogyaru.
Agejou š±?
In this (work-in-progress) section, Iāll note a few of my observations about gyaru culture and the way it interacts with greater Japanese society. For now just a few small notes.
I believe the general perception among Westerners (who are aware of gyaru and aware that it isnāt just an anime trope) is that gyaru have gone extinct. This is a perspective shared by some Japanese people as well.
This perception likely stems from the fact the mainstream image of a gyaru (a kogal; tan skin, blond hair, loose socks, long nails, etc.) is not how gyaru tend to look nowadays, resulting in the belief that there are less of them. Now, to be clear, there are fewer gyaru now than there were before, but the numbers are much higher than most people expect.
The main gyaru types nowadays are:F)
Modern Shiro-Gyaru3)
The modern Shiro-Gyaru. The dominant type. Onee-Gyaru and āReiwaā Gyaru are both different flavors of Shiro-Gyaru. They tend to have a more āreservedā and ācleanerā look, meaning white skin, more reserved makeup and fashion and so on.
āReiwaā Gyaru1)
Galture identified this. They are the most modern of the Gyaru and donāt have any particular unifying trait. Thereās a greater emphasis on individuality and a lower emphasis on belonging to particular cliques. We can consider these the āchameleonā Gyaru, because theyāre the hardest to explicitly identify as such.
The term (as used by Galture) basically refers to all the modern gyaru collectively, though Iām using it in a slightly more narrow sense. Itās possible that Iāll later change this classification.
Onee-Gyaru4)
More āgrown-upā gyaru. Primarily women in the workforce, in their mid-late twenties or early thirties.
Iām getting these from the Galture website (linked below), which is a website run by a gyaru or former gyaru.I) The above are simplifications which I may have to edit later.
Though the main point Iād like to get across is that gyaru have mostly been assimilated into the mainstream.J) This requires a bit of elaboration though.
Many things that used to be associated exclusively with gyaru are now just things that young women and girlsā¦do.
I could go on (and probably will in the future, when I decide to refine this section), but I think Iāve made the point.
I could also bring up things like general social warmth and friendliness. With Japanese girls nowadays come across as much friendlier than Japanese girls from a few decades ago. At least says me, someone with no experience talking to Japanese girls from a few decades ago. This could also be gyaru influence on the mainstream, since they could be considered the first to really push in this direction.
Gyaru kinda appear invisible because many girls in Japan nowadays are already gyaru-adjacent, making it hard to differentiate them from those who are full-on gyaru. What makes this harder is that all the current subcultures are more reserved in appearance than their forebears.
One of the reasons I find gyaru so interesting is that they lasted for a long time. They started in the 80s (or maybe the 70s, Iāll have to check) and theyāre still going. Sure, the subculture has evolved, but thereās still a continuous thread there.
Thatās pretty much odd. Think to the early 2000s emo/punk girl archetype, which basically only existed during the 2000s and never any other time. Thatās only like 10 years, if even that.
Then letās consider the gyaru. If we put their start in the 80s and their āendā the 2010s, then gyaru lasted 30 years. And they didnāt even end in the 2010s, since theyāre still aroundā¦meaning that gyaru have been around continuously in some form for 40 years.
This is already quite unusual from a sociological perspectiveā¦but thenā¦
Gyaru-Mama.
Gyaru-Mama are a distinct subculture of gyaru that started in the 2000s and which may also continue to today. Gyaru-Mama are Gyaru who became moms while remaining gyaru. Yes, itās really that simple.
These are also incredibly unusual for a subculture to have. Think about the implications here. Most subcultures tend to die out because its members abandon it. But with gyaru, not only do you see the subculture lasting for longer than a single generation, but those older generations remain inside of it. And they then pass it on to their children.
Evidence that the āpassing onā happens can be seen in Japanese pop culture. Itās not uncommon for contemporary gyaru/fashionable girls to have mothers who were themselves fashionable/gyaru. Even if theyāre not explicitly stated to be such, itās often heavily implied. The key part here is that it isnāt really explained or focused on. The casualness with which this trope is often presented implies that itās not considered abnormal in society, meaning itās a common-enough occurrence that most people in Japan can recognize it and accept it without question.
This may also explain how gyaru can find itself accepted into the mainstream so absolutely. Itās already been around for 4-5 generations of gyaru to have been hopping around society.
But I think thereās a bit more to this too.
When you compare gyaru to other ārebellious feminine subculturesā something stands out immediately: gyaru donāt discourage long-term heterosexual relationships with one person. In fact, they seem to actively encourage such relationships.
Many feminist subcultural movements typically encourage remaining single, childless and/or to avoid having a single partner. Gyaru culture places heavy emphasis on loyalty and social warmth. The former approach guarantees your subculture dies with your generation, because you donāt have any children to pass it onto; the latter approach guarantees your subculture survives into the future, with the children you brought into this world.
I think this is why Gyaru-Mama can exist in the first place, plus how gyaru have survived for so long.O)
Gals with a healthy skin tone.