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--- lb:izetta [2025-05-01 09:54:30] – [Review] ninjasr
+++ lb:izetta [2026-01-20 15:37:45] (current) – [Review] ninjasr
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 ====== Shūmatsu no Izetta ======
-{{ :img:bnr:r:izetta.png?460 |Shūmatsu no Izetta}}
+{{ img:b:r:izetta.png?460 |Shūmatsu no Izetta}}
 **{{ruby|終末|しゅうまつ}}のイゼッタ**(Izetta the Last),((:fn:>This is a literal translation.)) also known as ‘**Izetta, Die Letzte Hexe**’((:fn:>More accurately, it functions as a sub-title. Similar to the rarely-seen sub-title of //Girls und Panzer: **Mädchen und Panzer**//.)) and ‘Izetta: The Last Witch’ in English is an [[lb:anime|anime]] about the last Witch in the entire world fighting on the side of a small country that had been invaded by a faux-Germany.\\  The story here is simple and, in fact, pretty standard...though it does have a few elements that make it stand out.
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 ===== Review =====
-Izetta is an okay series, on the verge of being great...but it kinda...well...\\  Basically, the series starts with a small country, **Eylstadt**, that is desperately fighting back against **Germany**.((:fn:>I don't remember if they call it Germany or not, but let's not skirt around this.)) Luckily for them a witch appears out of nowhere and decides, of her own free will, to help the little country fight back. This fighting back is extremely effective and the little country starts associating her with a legendary figure. It's here that I think //Izetta// has its biggest missed opportunity.\\  The devotion that Eylstadt develops for Izetta gets pretty crazy, though this is all in the background and not focused on too much...but it still //kinda// sets up a situation where the entire state gets obsessed with her. Izetta is the only reason the country remains un-invaded at the end of the series and she's a one-woman army protecting it throughout the whole anime. Plus the series shows us that Eylstadt is getting pretty...well, I said it before, but //obsessed//. But for some reason this isn't...like it isn't focused on //at all//? From how the series is structured, it really implies that a cult (or cult of personality...so a //cult//) would form around Izetta and that that would be the focus of the series.\\  Instead, it goes for the trope that is irritatingly common in Japanese media: ‘[[lb:japanese.kumbaya]]’. The idea that if we all just set aside our differences, we would live in perfect peace and harmony. Although unlike most instances of this cliché, this series actually admits that war has //not// come to an end forever and, inevitably, it would return. Just that...compared to the //**Cult of Izetta**//, it's pretty disappointing that they went with something that [[lb:ao6]] and [[lb:le]] also did (poorly). Plus there are more that I just can't think of right now, but [[lb:isekai|isekai]] is full of that kind of nonsense.\\  I should note that I was also thinking that a potential future installment could go down the ‘Cult of Izetta’ direction but...<wrap spoiler>that seems unlikely considering the series ended pretty conclusively</wrap>.\\  All my notes note at this point is that the music feels awkwardly inserted at times and that, besides my gripes, it appeals to me, subjectively, almost perfectly because:
+Izetta is an okay series, on the verge of being great...but it kinda...well...\\  Basically, the series starts with a small country, **Eylstadt**, that is desperately fighting back against **Germany**.((:fn:>I don't remember if they call it Germany or not, but let's not skirt around this.)) Luckily for them a witch appears out of nowhere and decides, of her own free will, to help the little country fight back. This fighting back is extremely effective and the little country starts associating her with a legendary figure. It's here that I think //Izetta// has its biggest missed opportunity.\\  The devotion that Eylstadt develops for Izetta gets pretty crazy, though this is all in the background and not focused on too much...but it still //kinda// sets up a situation where the entire state gets obsessed with her. Izetta is the only reason the country remains un-invaded at the end of the series and she's a one-woman army protecting it throughout the whole anime. Plus the series shows us that Eylstadt is getting pretty...well, I said it before, but //obsessed//. But for some reason this isn't...like it isn't focused on //at all//? From how the series is structured, it really implies that a cult (or cult of personality...so a //cult//) would form around Izetta and that that would be the focus of the series.\\  Instead, it goes for the trope that is irritatingly common in Japanese media: ‘[[lb:japanese.kumbaya]]’. The idea that if we all just set aside our differences, we would live in perfect peace and harmony. Although unlike most instances of this cliché, this series actually admits that war has //not// come to an end forever and, inevitably, it would return. Just that...compared to the //**Cult of Izetta**//, it's pretty disappointing that they went with something that [[lb:ao6]] and [[lb:le]] also did (poorly). Plus there are more that I just can't think of right now, but [[lb:isekai|isekai]] is full of that kind of nonsense.\\  I should note that I was also thinking that a potential future installment could go down the ‘Cult of Izetta’ direction but...<mark spoiler>that seems unlikely considering the series ended pretty conclusively</mark>.\\  All my notes note at this point is that the music feels awkwardly inserted at times and that, besides my gripes, it appeals to me, subjectively, almost perfectly because:
   * It has an early-to-mid 20th Century setting.((:fn:>Though my personal favorite time period is probably the mid 19th to early 20th century, spanning roughly from ≈1850 to ≈1930.))