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Gyaru
Gyaru
ć®ć£ć«(Gal) are a Japanese subculture that I have taken an unusual interest in. It all started with one thing, then another and the next thing I know, Iām looking at makeup tutorials.
Personal Discovery
My first experience with gyaru was through animeA) andā¦the other one ā how most Westerners encounter them. My reaction to them was mostly neutral thoughā¦as in, it didnāt really lead anywhere.
I thought it was weird, but kinda interesting. But Iād gradually learn moreā¦not through anime, but through Wikipedia of all things.
Since I didnāt know what gyaru were, I looked it up. From there, I found out wow, thereās more to this than expected
ā¦but then I found Gyaru-Moji, and thatās where my brain went wait, what
.
But then I got into ParaPara. I think it started through Eurobeat. I kept looking for more and then started hearing weird references. Then I got recommended ParaParaā¦and thatās where it all went downhill.
From ParaPara, I started looking into the rest of the subculture and, well, here we are today.
Societal Observations
In this (work-in-progress) section, Iāll note a few of my observations about gyaru culture and the way it interacts with greater Japanese society. For now just a few small notes.
Mainstream Assimilation
I believe the general perception among Westerners (who are aware of gyaru and aware that it isnāt just an anime trope) is that gyaru have gone extinct. This is a perspective shared by some Japanese people as well.
This perception likely stems from the fact the mainstream image of a gyaru (a kogal; tan skin, blond hair, loose socks, long nails, etc.) is not how gyaru tend to look nowadays, resulting in the belief that there are less of them. Now, to be clear, there are fewer gyaru now than there were before, but the numbers are much higher than most people expect.
The main gyaru types nowadays are:
Modern Kuro-Gyaru
The modern incarnation of the Kuro-Gyaru. Tan skin yes, slightly bolder style than Shiro-Gyaru, but more reserved than the original Kuro-Gyaru. Women in their twenties. Primarily represented by the magazine Egg.
Modern Shiro-Gyaru
The modern Shiro-Gyaru. The dominant type. Onee-Gyaru and āReiwaā Gyaru are both different flavors of Shiro-Gyaru. They tend to have a more āreservedā and ācleanerā look, meaning white skin, more reserved makeup and fashion and so on.
āReiwaā Gyaru
Galture identified this. They are the most modern of the Gyaru and donāt have any particular unifying trait. Thereās a greater emphasis on individuality and a lower emphasis on belonging to particular cliques. We can consider these the āchameleonā Gyaru, because theyāre the hardest to explicitly identify as such.
Onee-Gyaru
More āgrown-upā gyaru. Primarily women in the workforce, in their mid-late twenties or early thirties.
Iām getting these from the Galture website (linked below), which is a website run by a gyaru or former gyaru.B) The above are simplifications which I may have to edit later.
Though the main point Iād like to get across is that gyaru have mostly been assimilated into the mainstream.C) This requires a bit of elaboration though.
Many things that used to be associated exclusively with gyaru are now just things that young women and girlsā¦do.
- Gyaru makeup? The cleaner varieties are basically how most girls apply makeup now.
- Decorating phones? Yup.
- Language? Iām pretty sure a lot of mainstream youth slang originated with gyaru.F)
- Piercings? Multiple earrings and piercings are not uncommon.G)
I could go on (and probably will in the future, when I decide to refine this section), but I think Iāve made the point.
I could also bring up things like general social warmth and friendliness. With Japanese girls nowadays come across as much friendlier than Japanese girls from a few decades ago. At least says me, someone with no experience talking to Japanese girls from a few decades ago. This could also be gyaru influence on the mainstream, since they could be considered the first to really push in this direction.
Gyaru kinda appear invisible because many girls in Japan nowadays are already gyaru-adjacent, making it hard to differentiate them from those who are full-on gyaru. What makes this harder is that all the current subcultures are more reserved in appearance than their forebears.
Longevity + Gyaru-Mama
One of the reasons I find gyaru so interesting is that they lasted for a long time. They started in the 80s (or maybe the 70s, Iāll have to check) and theyāre still going. Sure, the subculture has evolved, but thereās still a continuous thread there.
Thatās pretty much odd. Think to the early 2000s emo/punk girl archetype, which basically only existed during the 2000s and never any other time. Thatās only like 10 years, if even that.
Then letās consider the gyaru. If we put their start in the 80s and their āendā the 2010s, then gyaru lasted 30 years. And they didnāt even end in the 2010s, since theyāre still aroundā¦meaning that gyaru have been around continuously in some form for 40 years.
This is already quite unusual from a sociological perspectiveā¦but thenā¦
Gyaru-Mama.
Gyaru-Mama are a distinct subculture of gyaru that started in the 2000s and which may also continue to today. Gyaru-Mama are Gyaru who became moms while remaining gyaru. Yes, itās really that simple.
These are also incredibly unusual for a subculture to have. Think about the implications here. Most subcultures tend to die out because its members abandon it. But with gyaru, not only do you see the subculture lasting for longer than a single generation, but those older generations remain inside of it. And they then pass it on to their children.
Evidence that the āpassing onā happens can be seen in Japanese pop culture. Itās not uncommon for contemporary gyaru/fashionable girls to have mothers who were themselves fashionable/gyaru. Even if theyāre not explicitly stated to be such, itās often heavily implied. The key part here is that it isnāt really explained or focused on. The casualness with which this trope is often presented implies that itās not considered abnormal in society, meaning itās a common-enough occurrence that most people in Japan can recognize it and accept it without question.
This may also explain how gyaru can find itself accepted into the mainstream so absolutely. Itās already been around for 4-5 generations of gyaru to have been hopping around society.
But I think thereās a bit more to this too.
When you compare gyaru to other ārebellious feminine subculturesā something stands out immediately: gyaru donāt discourage long-term heterosexual relationships with one person. In fact, they seem to actively encourage such relationships.
Many feminist subcultural movements typically encourage remaining single, childless and/or to avoid having a single partner. Gyaru culture places heavy emphasis on loyalty and social warmth. The former approach guarantees your subculture dies with your generation, because you donāt have any children to pass it onto; the latter approach guarantees your subculture survives into the future, with the children you brought into this world.
I think this is why Gyaru-Mama can exist in the first place, plus how gyaru have survived for so long.H)
Trivilinks
Galture (ć®ć£ć«ćć£ć¼)
I found this by chance one day and Iāll be using it as my semi-primary source. I do, surprisingly, have some papers and books saved somewhere about Gyaru, but this seems relatively trustworthy.
Something Iāll say is that I was planning to make this article earlier, relying on thisā¦but, well, it was in Japanese-only. My Japanese is not good enough to read this stuff. However, after checking it recently, I found thatā¦itās now also available in English. Nice.
- There is an English Fandom wiki on Gyaru, but I havenāt really considered looking at it too deeplyā¦Iām just assuming itās not reliable.I)
- The hibiscus is a gyaru symbol, which probably originated with the yamanba first, but then expanded to become a generic gyaru symbol. Super Gals! uses the hibiscus a lot, for example. Iām not sure if the association is still there, though.
That specific subculture is also, to my knowledge, the reason gyaru almost went extinct.
Basically, we shouldnāt put aside the idea that gyaru culture ended up taking control of greater Japanese society just because itās a small subculture. Itās not impossible or unheard of for a tiny minority culture to dominate a larger majority culture.